The beauty is in watching it move, change and grow, not in seeing what it looks like when it’s done growing.
At least, that’s my take-away from seeing Inflatable Architecture and from talking to its creator Chico MacMurtrie at Wood Street Galleries on Friday, Jan. 23. I was there during the “Gallery Crawl in the Cultural District,” and figured MacMurtrie’s works were worth a separate post.
Inflatable Architecture is a series of connected, inflatable tubes that squirm and move and dance depending on bursts of air that are sent through the contraption and depending on who else is in the room.
MacMurtrie was in the gallery, so I figured I’d ask if his work ever fully inflated. It does, he said, but essentially, what would be the fun in that? The constant change and movement compels viewers to just stand a watch for a while. And even if it’s just three or four minutes, that’s more time than some people would spend gazing at a painting, he said.
Another work, 16 Birds, was also at Wood Street Galleries. It’s a predecessor to Inflatable Architecture. The imagery is more blatant, but the movement of the birds makes it just as compelling.
I saw MacMurtrie and one of his assistants later in the evening at ZEE[RANGE].